Besides Gaudi, another homebred architect from Barcelona is Enric Miralles. I first heard about him in a second year lecture and never gave much thought since. However after seeing his works in real life, I think he’s a brilliant place-maker.
This cemetary built in 1985 made him famous and led to many high profile commissions in the 1990s. Pity he passed away in 2000 at the young age [for an architect] of 45.
It has certainly broken my preconceptions of a cemetary. It certainly broke mine. Bravo, Miralles! Your work still stood to inspire even after your death.
Another Antoni Gaudi work, the organic nature of his work appears much more fitting in a landscape project.
Jeff meets Tara Reid, sadly I wasn’t there when it happened. Only found out while sorting photographs after I got back to Sydney.
The origina of the much-copied Gaudi lizard, you can find them in souvenir shops all over Barcelona. The rest of the park is made with more humble stones, but still amazing nevertheless.
I sat here a long time observing this thing, wondering if inspiration struck when he was picking up his fork from a bowl of melting cheese.
One of the shrines of modern architecture, I find it immensely fortunate to finally have a tactile experience with this building.
Seeing the Barcelona Chairs in context. The Pavilion was built to host the royal launching “party” and these were suppose to be the thrones. I find it peculiar that we’re not supposed to sit on these chairs.
The only place we could really sit was outside, it’s more comfortable than imagined.
The Forum Barcelona by Herzog & de Meuron. It’s on one end of the Diagonal, which is a very long and straight diagonal road that slices across the city. The other end is the university, where the Escola Tècnica Superior d’Arquitectura is located. The Torre Agbar is somewhere in them middle.
You can see David, Jeff and me in the reflection of the ceiling lobby underneath the Forum’s main exhibition space. Novel materials and many little places to explore, but oddly this part of town still feels deserted.
Again, Jean Nouvel – one of my favorite architects – and one of his most notorious towers with a crude nickname.
Its normally blu-ish throughout the day, this (badly taken) photo was during sunset. The facade is simply colourful corrugated steel panels with plain old louvres around the entire building.
The Casa Mila, which is also known as the La Pedrera (trans: quarry, in Catalan) was finished in 1907.
This organic theme continues inside, surprisingly very colourful and well-lit.
The roof slab is actually warped! Note Sagrada Familia in the background.
The Casa Batllo is a renovation, so possibly more attention to ornamentation happened here. A fantastic example of Gaudi’s stylised formal and colour mastery in stone, glass and ceramic.
Intended as a Roman Catholic basilica, Gaudi was assigned this project in 1884. He spent 40 years especially the last 15 years of his life working on just this one building, dying in 1926. The thing is, he not only anticipated that it won’t be finished in his lifetime, but projected it’ll take a few hundred years more!
Thanks to computers nowadays, it will be completed in 2026. Yes, that’s not a typo – even with today’s technology his ideas still take an incomprehensible amount of time to realise.
This photo is flipped 180°. In order to resolve the complex load transfers, he hung bags of lead to strings and worked out his geometry upside down.
The studio which he worked, located underneath the church.
